There are movements and then there are Movements...
Some timepieces are instantaneously recognised by their movements - and ask most watch collectors, they will tell you immediately which movement comes from which brand etc. And to the TOTALLY serious collectors, they can even tell you the calibre, the watch no matter how complicated or simple the movement is etc.
Let's start with this... Aside from the name on the movement, one can immediately tell this is a Pascal Coyon Chronometer.
Next, another icon... the A. Lange & Söhne 1815 Chronograph.
The construction of the movement is unmistakably a Lange and for the owners of either the Datograph or the 1815 Chrono, this is all too familiar.
What about this? A few key features are a giveaway of the brand one of which is the interchangeable escapement.
Another interesting calibre - when you see the "Devil's Tail", one immediately knows this is a Minerva movement adapted for Montblanc.
Last but not least, a manual winding chronograph perpetual calendar from the Manufacture Roger Dubuis.
And the beauty is not only confined to the movement. Simple yet recognisable is the Chronometer by Pascal Coyon. The white lacquer dial and the red numerals.
Another white dial to die for is the A. Lange & Söhne 1815 Chronograph. As magnificent as the movement side. Pure...
And the simplest complication of the Moser Perpetual One... black lacquer dial. And if one were not observant enough, who would know this as a perpetual calendar. Simply brilliant!
Montblanc chose to use a Grand Feu enamel dial on their Vintage Pulsographe. Gorgeous!
And the Sympathie by Roger Dubuis featuring a bi-retrograde chronograph perpetual calendar. But what is special about this timepiece is the shape of the case and the sapphire glass that is cut out in the shape of the case. Later models came with circular sapphire glass.
Many of us collectors would like to be able to flip the timepiece to the other side ala "Reverso" and wear the movement side up every now and then. Not to say that the dials aren't anymore beautiful, but looking at the movement every now and then is one of the reasons why us collectors choose mechanical marvels like these.
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